Interview with Benjamin Rice
We discuss the many challenges music producers face, with Benjamin Rice who recently worked with Lady Gaga & Bradley Cooper on 'A Star Is Born'
Read MoreEngineer/Vocal Producer (Selena Gomez, Britney Spears, Lady Gaga)
As a Grammy award-winning record producer, songwriter, vocal producer, musician and mixer hailing from Los Angeles, Benjamin’s musical journey has been a fusion of creativity, dedication, and diverse collaborations. Combined with a background as a U.S. Army veteran, Benjamin brings resilience, precision, and a unique perspective to his craft.
Benjamin’s portfolio includes a stellar lineup of artists, including icons like Lady Gaga, Ariana Grande, Selena Gomez, Julia Michaels, John Legend, and James Bay.
Notable highlights from his career have included his collaborations with Lady Gaga and Bradley Cooper on the Grammy-winning A Star Is Born - Soundtrack (2018) where Benjamin served as album producer, vocal producer and engineer for the entire project, including co-producing the chart-topping and Grammy-winning sensation, “Shallow” which also won an Oscar for Best Original Song. Benjamin continued working with Lady Gaga on her Grammy nominated 6th studio album, Chromatica (2020), where he once again served as vocal producer, engineer and mixer, including the Billboard #1 Song, “Rain on Me”, featuring Ariana Grande.
In 2022, Benjamin co-produced Lady Gaga’s “Hold My Hand” for Top Gun: Maverick (2022) which earned Benjamin his first Golden Globe nomination for Best Original Song.
Most recently, Benjamin teamed up with songwriting icon Julia Michaels where he co-wrote and produced the entire soundtrack for Disney’s 100th Anniversary Feature Film, Wish (2023), also serving as an engineer, vocal producer, mixer, vocalist and a musician for the project.
Benjamin’s diverse experience and interests have continued to grow, leading him to bands such as Dead Poet Society, where he produced multiple songs on their sophomore album, Fission (2024), including “Running In Circles,” “Hurt,” and “Uto.”
Proving that his musical spirit is unconfined, Benjamin has also lent additional production and mixing for the folk-pop sounds of Wild Rivers on songs such as “Thinking ‘Bout Love - feat. Wrabel,” as well as the band’s latest single, 'Cave' which will be included on their highly-anticipated forthcoming studio album mixed by Benjamin.
Whether collaborating with stars like Lady Gaga, crafting original songs for Disney, or working with a variety of bands, Benjamin continues to embrace new challenges and opportunities to build his career based on relationships, trust, and the goal of bringing the best out of artists.
In that spirit, Benjamin is always seeking emerging artists and exciting projects to delve into.
We discuss the many challenges music producers face, with Benjamin Rice who recently worked with Lady Gaga & Bradley Cooper on 'A Star Is Born'
Read MoreThe LX480 by Relab is one of the best 480L emulations out there without having to worry about latency or any extra hardware.
I love this limiter because it does so much more than just standard peak limiting. The channel link, parallel and saturation features make this one of my most effective and favorable tools for handling dynamic control across multiple busses.
It's very important to me when working on vocals to have several different options, styles and flavors of compression to achieve various techniques, and the mpressor is truly a special tool that I can use to get compression results distinct from any other.
I love the bx_control, not only because it is such a quick and handy tool for monitoring M/S when I'm mixing ITB, but also because it's an immediately effective way to both tighten and widen something in the mix.
This is one of my new favorite plugins from Brainworx. It is by far one of the most flexible and precise tools I use on a consistent basis to manage harsh frequencies across a vocal buss. I'm blown away with how transparent it is, even beyond moderate settings.
The TCL-2 is one of my favorite emulations from PA and one of my go-to M/S compressors. I use it for subtle things like reverb compression as well as an aggressive buss compressor on large groups of vocals and instruments. In all instances, it is an extremely useful solution.