I've been using the De-Verb Plus for about a month now after having great success with it's predecessor, De-Verb. Both are super easy to use and give instant results without a lot of fussing with knobs and parameters. Though I've applied De-Verb Plus to some musical projects, it's mostly seeing time removing the room from dialogue and interview tracks that I've recorded on location. Again...so easy and simple to use...clean and none of the irritating artifacts that some other manufacturer's plug ins introduce.
De-Verb Plus
★★★★★
by eric b.
I really enjoi the additional features. Good sounds improvement. Do exactly what the De-Verb with little extra mojo.
Enhanced Quality
★★★★★
by Alex Hepting
For convenience try this de-verb on supersaw synth, this makes also raw and edgy synth sounds very gentle - a new sweet spot. Some of the synth and drum samples coming with unwanted ambience. De-verb removes them without any artifacts. It gives you the power to bring in new ambience for example plate/hall or resonance box. You could do the same thing with eq but the character of the de-verb is much more fine grained. To restore some ambience it could be mixed with pink noise to some few amounts. I don't mind if someone uses this tool for mastering.
Mission Accomplished
★★★★★
by Rick Veneer
I have had the Transient Designer for many years and it is one of the best tools in my audio toolbox, so I was keen to try these new updated plugins. I had a one hit conga sample that was seriously awash with reverb, so I put the De-Verb Plus on the track. It reduced the reverb considerably, but didn't remove it completely, so I put another De-Verb Plus straight after it and the rest of the reverb disappeared altogether. Dry as a bone! I didn't have to worry about levels because of the new built in limiter. This was an extreme case that would have been pretty impossible to fix in the past. For the usual de-verb chore one instance would be fine. Mission accomplished. Great plugin.
Kick Saver
★★★★★
by Dan
I've been working on a mix where the recording on the inside kick mic was ridiculously boomy, I'm guessing the drummer uses no dampening. I tried everything eq, expansion, de-essing, transient processing, but couldn't get it quite right. I tried de-verb and got a usable sound really quickly, add a dash of eq, and some frequency dependent transient processing, and voila, ace kick sound from something that was basically horrible.
Industry leading
★★★★★
by MixedbyMe
I have used the original Micro plugs since they were released, they are indispensable. This is like having twice the power in the same package The function is enhanced in the Plus series